Blunt Force Trauma




Uploaded By: ZACH
Downloaded 3,834 times
June 09, 2018 at 02:29 AM



as Zorringer
as Colt
as John
as Reggie
720p 1080p
779.85 MB
01 hr 37 min
P/S 4 / 10
1.43 GB
01 hr 37 min
P/S 4 / 5

Movie Reviews

Reviewed by Bob Beckring 8 / 10

Mesmerizing and visceral

A slice of the lives of two vagabond gunfighters, the stories that brought them together, and their inevitable spiral as each chooses the degree of violence that must rule their existence. The haunting soundtrack (mostly Kid Dakota, veteran of minimalist-core label Chairkickers Union) punctuated a perfect Foley which provides the crunch of beer cans and a rattling rolling lead pipe in place of the jangling cowboy spurs and whistling wind of earlier gunfighter films. When the story slowed, it never felt stilted or awkward, and the ride was totally worth every minute of building tension. Yes, there is a parallel to Fight Club, but Blunt Force Trauma has none of that film's self-consciousness or absurdity and it's hard to believe that there isn't an underground dueling circuit after watching.

Reviewed by Fennris 8 / 10

Very poetic

For a movie with gun violence as the core activity, this is a very quiet, reflective piece. It is well scripted, well directed and well acted with no filler (no witty banter, ridiculous stunts, little humor, no f/x, etc). They do a good job of -not- glorifying the fights and maintaining suspense; at no point do I want to be in the main character's shoes. Along with Freida Pinto's character, I'm rooting for him to survive and work through his hopefully fleeting passion/obsession, not win the fights. Most of the time the positions he puts himself in just look like pointless death traps that I would rather not see him walk into (contrasted with a Jason Statham or Bond movie where it's fun to see how the protagonist manages to spectacularly untangle bad situations). The final fight is perfect - two accomplished warriors meet with nowhere to go and nothing to do but everything to prove.

Kwanten did an outstanding job - his character was nothing like I've seen him do before but I doubt Eastwood in his prime could have done better. And Rourke was his character; it may not have been a creative leap for him but it served the story well which is all that matters.

The weaknesses of the movie are also it's strengths: it has a very small # of relevant cast members and a very simple (but nearly perfect) story and script. So if it's not exactly your type of movie there's not going to be much in it for you.

Reviewed by loeksnokes 8 / 10

A well done piece, centred around a modern gunfighting 'circuit'. It partly explores how our perceptions of dying reflect how we are actually living.

Very tight and minimalist plot that builds directly to the climax of the movie. It was well thought out.

There are five or six scenes in the movie centred around gunfighting, which are interesting for various reasons that usually have nothing to do with the 'sport' being depicted, and which I thought were very well done. As pointed out by another reviewer, one never feels any desire to be standing in a circle, so that was also well done. The film does not glorify the violence, or, leave you with the thought, for instance, that Kwantan's character is going to get out of any particular fight unscathed. As often happens in brutal sport films (e.g., Raging Bull, where this is done brilliantly), the violence is often a means for the characters to test, refine, explore, and purify themselves; cutting out all excess. However, in BFT it is presented in such a way that you know there is a basic lethality and lack of control to the sport: it could only appeal, for instance, if one considers spending life in a wheelchair an acceptable outcome of the testing.

Ultimately, the movie is a character piece, and not, in its core, an action film. As such I admit I was not too interested in Freida Pinto's character during the first half, but by the ending she had essentially become the most interesting character, and one trapped in a surprising bind. Ryan Kwantan's character becomes more interesting as one discern's his chief features, but after a while, one hopes for some further development, and this simply does not come, at least, not directly in the shot scenes.

Ultimately, the fixed nature Kwantan's essential character is a central point of the movie, and the consequences of that, indeed, are very well drawn.

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